Alexei hay biography of rory

Hans Christian Lotz, Untitled, 2016, Die Ölmühle aus Bickelsberg im Freilichtmuseum Vogtsbauernhof Gutach, 2015 and Untitled, 2015

In one famous scene in Jacques Tati’s 1958 film Mon Oncle, Tati’s character Monsieur Hulot tries to open the kitchen cabinet in his brother-in-law’s hyper modern suburban home.

He pulls repeatedly on the cabinet’s handle, but cannot open it. He accidentally tricks some switch and the doors fly open without warning, comically spilling their contents onto the floor. All throughout the house the doors are automatic; the garage door operates with a mind of its own, the doors to the veranda slide open and closed randomly, and Tati even manages to break the gate to the house as he attempts to use it like the “manual” doors of his apartment in the city.

In the main room of Hans-Christian Lotz’s untitled exhibition at David Lewis Gallery, three sets of glass automatic doors, the kinds characteristic of convenience stores or supermarkets, are mounted to t